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Saturday, December 8, 2007



Vishram Baug Wada
This is a three storey is famous for its entrance which is surrounded by balcony. 300 years back Bajirao Peshwas ( II ) built this place. The carved woodwork of the balcony which surrounds the entrance of this building is the example of the fine work of ancient Peshwa Art. The wood used is pure processed Saag. It is 78 feet wide and 66 meters long. After Peshwas this place was used as a jail. Pune Municipal Corporation is soon changing this place as museum. It is a 3 floor building in the heart of the city on Bajirao road, next to Laxmi road the huge market for clothing. About 1 lacks of Rupees were spent to built this building at that time. The entire construction is of bricks.




Shinde's Chhatri
The building built in the memory of Mahadji Scindia who was great Maratha noble man. It is about 4kms away from Pune camp and 2kms away from the race course in a place called Wanowri. The carving and beauty of the temple is worth a look. The building is a great architectural achievement which combines imposing austerity with beauty. This place is considered to be a perfect example of Vastushastra.



Raja Dinkar Kelkar Museum
Dr. Dinkar Kelkar started collecting exhibits around 1920 and one by one, section by section he raised the collections to around 15,000 objects of great attraction till the year 1960. He was very much fond of showing these exhibits to his friends and visitors in the same way as he wanted them to grasp his poems. Gradually the collection became a point of great attraction even to the visitors abroad. Dr. Kelkar could then easily win the minds of the authorities of the local bodies and of the State Govt. as well as of private institutions all over India, who came forward to help him to further collect the exhibits and convert the collection into a Regional Museum for Western India.
It was to the credit of Shri. Y.B. Chavan , the then Chief Minister of Maharashtra and Shri. P.J. Chinmulgund, the then Education Secretary of the State Govt. that the one man collection could take the shape of a real Museum. In fact the names of such institutions, state - authorities and luminaries who contributed towards the building of this Museum are too many to be enumerated here.
As a result of this public appreciation Dr. Kelkar decided in the year 1962 to hand -over his collection to the Dept. of Archaeology, Govt. of Maharashtra for developing it as a Regional Museum with better display and maintenance of its exhibits.
Mastani Mahal :
The Mastani Mahal situated on the same floor reminds one of the romantic and heroic life of the Bajirao Peshawa the first in the company of his beloved Mastani.

The Mastani Mahal
Bajirao Peshwa 1 (Painting), Mughal School, Contemporary
Mastani (Glass Painting), Mughal School, Contemporary
Ivory Objects :
On the other part of the ground floor the museum has arranged more valuable Ivory objects, namely Ink-Pots, House-Shrines, Toilet Utility objects, Games and Playing Cards ('Ganjeefa').
Parsee Man (Ivory) South India 18 th Century
Shree Ganesh (Ivory) Nepal 17 th Century
Wood - Work & Sculptures :
On the 'L' passage of the ground floor at the entrance have been arranged the artistically decorated doors and windows along with their panels and brackets with proper settings on the wall, so that one gets the impression of being just in front of the then existing house from where the particular doors have been collected. The stone sculptures displayed here along the wall un mistakeably appeal to the aesthetic sense of the visitor.

Lamps & Tambool :
In the other part of the 2nd floor are exhibited the Bronzes, the Lamps of profuse variety, the Tambool artifacts and the writing materials along with the decorative Ink-pots. Mention worthy are the Sun-Lamp from Nepal and the Kadamba. tree Lamp with the Raasa-Lila depicted on it
Gujrat Gallery & Vanita Kaksha :
In the Vanita Kaksha of the New Building, also situated on the ground floor, one can very well visualise how a day is begun by an Indian woman involving the use of Vajris i.e. foot cleaners, the mirrors, the combs, the collyrium-boxes and the Kumkum caskets.
Indian Paintings :
In the smaller room before we enter the Gujrat Gallery, the Museum has displayed the Indian Paintings of different kinds belonging to 17th to 19th Century, i.e. Glass Paintings , cloth paintings, paintings on parchment, paintings on leather and paper.
Musical Instruments :
The other part of the 1st floor is occupied by the beautiful collection of the Musical Instruments of various kinds namely the beating (drums etc.) Most remarkable among the beating instruments is the "Khol" of Keshavrao Bhole;among the blowing instruments the "Flute of Pannalal Ghosh" and among the string instruments the "tanpura os Sawai Gandharva" and "Mini Tanpura of Bal Gandharva" and also the Taar Shehnai of Madukar Golwalkar.The Museum proposes to pour music into these instruments by making them enjoyable through Casset-Recording .In a small section of the Musical Instruments Gallery, the Museum has displayed the Objects of Tribal art, Hubble-Bubbles and pipes.
Kitchen Utensils :
In the gallery of the Kitchen utensils on the first floor amazing are big vessels for cooking food in large quantity normally served in festivals and marriage-parties. There are also big containers of liquid and those used for storing food grains. This gallery also exhibits the day-to-day used kitchen wares, with artistic touch as Vegetable-Cutters, Spice-Boxes and Utensils in different material : wood, metal, stone, hide, papiermache, terracotta. ceramin etc. The measures in wood, the Kiln belonging to 16 th Cent. and the Noodle Stands also attract the mind of the visitors.
Toys & Masks :
On the third floor space has been provided for special Exhibition in which attempt is made to exhibit sections which cannot be displayed in the permanent show. Presently there is a special exhibition on armours and Tulsi Vrindavans. For children there are toys and masks to educate and entertain.
Door Gallery :
At the Exit of the Museum there have been arranged the artistically decorated doors and windows of temples and the then existing houses from various parts of India.
Textile :
In the gallery of Textile on the 2nd floor figure mainly the textiles from different parts of the country. While the paithanies from Paithan of Maharashtra with Jari-work and Embroidery impress upon the visitors the richness of style of garments of the olden times, the Rabari garments take him to the prominent folk style in Gujarat, Kutch and Kathiawad.
Library :
A library with Books on Art, History and Conservation is also a must for the Museum which has one of its important tasks to understand and make known the culture tradition of the country in the light of the exhibits. The Museum has taken proper care to built up a collection on important books on Art, History, Architecture and so on.
Laboratory :
A Museum in modern times is expected, if not much to collect, keeping in view the financial constrains, at least to preserve and present the variety of exhibits in its collection, in order to generate interest and curiosity about our past. The Museum has rightly equipped itself with a conservation Laboratory with modern most instruments and it is adopting up to date techniques to display the exhibits.
Programmes in Future :
1) Special Exhibition on Paithan Paintings.
2) To make Video Cassetts on Museum and arrange lectures with slide show.
3) Five year programme for the Birth-day Centenary of Late Dr. D. G. Kelkar(10th Jan 1996 ) i.e. New Building Construction, Publication, raising Museum Funds, to arrange lectures and seminars etc.
Board Of Management :
In the year 1975 the Museum was taken over by the education Dept. of the State Govt. for further development and expansion. A board of Management was appointed as per the Agreement executed between Lt. Dr.Kelkar and the State Govt. to take proper care of administration and growth of the Museum.
Location :
The Museum has at present a collection of 20,000 objects divided into 40 sections , among which prominently figure the attractive Lamps, Paintings, Tambool objects, Musical Instruments, Wood - work and so on , housed in a three storey building located at 1377 and 1378,Shukrawar Peth in Pune. The important exhibits in the various sections have been displayed in the properly illuminated show-cases in the different galleries.





Lal Mahal
Shivaji's father Shahaji who was a Sardar in the Bijapur Sultanat, was given territories in Pune. At that time he was residing in Bangalore. He decided to send his wife Jijabai and his son Shivaji to Pune. In 1636 AD for their residence he built a palace for them, to which he named Lal Mahal. Shivaji stayed here for many years until he conquered his first fort.
Lal Mahal was renovated by Pune Municipal Corporation in 1988.

It is a red brick structure standing very prominently in the heart of the city. There is a statue of "Jijamata" ( Shivaji's Mother ). There is the impressive representation, showing young Shivaji plowing the land with a golden plough, with mother Jijabai and Guru Dadoji Konddev looking at him. This place is just next to Shaniwarwada. Four Umbrellas on terrace is the attraction of the Mahal. This is the same place where Shivaji Maharaj cut Shaistekhan's fingers when he was trying to run away from one of the windows of the Lal Mahal. Pictorial representation of incidents from Shivaji Maharaja's life could be seen on the walls of this palace. Jijamata Garden has also been made in this place. Kids senior citizens spend their evenings happily here.




Agakhan Palace
Gandhi National Memorial Society Agakhan Palace Pune 411006.Tele : 6680250 , 6681834
Agakhan Place is about 2 kms away from Bund Garden in Yerwada on Pune-Nagar Road. Agakhan palace is of Italian arches and spacious lawns. This building comprises of five halls. The palace covers an area of 19 acres, out of which 7 acres is the built up area and is an excellent building from architectural point of view. It captivates the eye of an spectator with its magnificence and picturesque beauty. Sultan Mohammad shah Agakhan built this Palace in 1892. It was built to help the famine affected people, when there was a famine in Maharashtra. It took 5 years and 12 lakhs to complete this Palace. Area of its ground floor is 1756 sq meters. That of the first floor is 1080 sq meters, whereas the second floor has a construction of 445 sq meters. Speciality of this structure is that ithas a corredore of 2.5 meters around the entire building. Prince Karim Agakhan donated this palace to Gandhi Smarak Samittee in 1972 and since then Parks and Gardens organization is maintaining this National Monumental Garden.
This place does not look like it would have been used as a prison, but Mahatma Gandhi, Kasturba Gandhi, Shri Mahadeobhai Desai, Dr. Sarojini Naidu, Meera Ben, Dr. GLinder, Pyarelal Nayyar, Sushila Nayyar and others were kept under imprisonment over here during the Quit India movement in 1942. Mahatma Gandhi was kept here for 21 months. It was during this period that Shri Mahadeobhai Desai (15th August 1942) and Kasturba Gandhi (22nd February 1944) breathed their last in this place. Their Marble Memorials are beautifully designed by the famous architect Charles Correa which can be seen over here. Statue of the Mahatma Gandhi too stands here. Other than this the articles used by Mahatama Gandhi like his writing desk, his bed, Kasturba's Sari, clothes and her Footwear are preserved properly in their place of use. Pictures of Indian Independence Movement beautify the walls.
Khadi Gramudyog Bhandar, Mahadev Chhapkhana, Rashtriya Mahila Sanstha, Stiching classes etc. is carried out here now a days. Readymade Garments, Embroidery, Fiber, Agarbatti, Candle and Chalk making classes are carried out here. Poor and the Needy are given a free training and the rest are changed a nominal fee for the training.
This place is visited by a large number of tourists. It is open on all working days except national holidays.



The great shanivarwada

SHANIVAR WADA


The palace was constructed by Bajiroa 1st in the 1730. It was a 13 storey building. There is a story told about why this place was chosen for the construction. The story says-The Thorale (Elder) Bajirao once saw a rabbit chasing a dog in this place. Taking inspiration from this Shaniwar Wada was built, a place which would never see defeat. It used to be the head quarter of the Peshwas and it symbolizes Pune's culture. Looking at the construction one understands how the structure was built giving highest priority to the security. The main entrance is known as 'Delhi Darwaja', others have named like Ganesh, Mastani, Jambhal, Khidki.
There is a statue of Bajijrao (1 st) on a horse in the ground in front of Shaniwar Wada. Inside one can see Ganesh Mahal, Rang Mahal, Aarsa (Mirror) Mahal, Hasti Dant (Elephant Tusk) Mahal, Diwan Khana, Fountains. Currently renovated & also have a light & music show. The main part left is nagarkhana which gives good inside view. This is an expansive palace with its impressive fountains and gardens. The palace was the seat of Peshwa power and later was destroyed by a fire in 1828. All that remains are the walls that fortified this palace, with their sturdy doors, studded with spikes for added protection. Nearby is a street where the Peshwas unleashed elephants to trample dissidents to death.
Timings for visitors : 8 am to 5 pm. Entry Free (Except for the Light And Sound Show).
Some important features of the Shaniwarwada Light & Sound Show
The Marathi Show commenced on 23/1/2001 na the English Show commenced on 26/3/2001. Donations collected as of today ( By cheque or In kinds) : About Rs. 50 lakh. Amount generated is utilized only for the restoration & revitalization of the Shaniwarwada.
Participation
Pune Municipal CorporationMaharashtra Tourism DevelopmentArchaeological Survey of IndiaNational Culture Fund, New Delhi.
Prepared by
Maharashtra Tourism Development Corporation, Mumbai.
Presented by
Pune Municipal Corporation
Script writing of the SEL Show
Famous Historian Shri. Ninad Bedekar, Pune.
Voice ( for Marathi show )
Dr. Shriram Lagu, Faiyaz, Prabhakar Panshikar, Ramesh Bhatkar, Anant Jog, Ashutosh Rana, Govind Namdeo, Nilu Phule, Dr. Mohan Agashe, Vikram Gokhale, Mrs. Mrinal Kulkarni (Deo.)
Singers
Ravindra Sathe, Pandit Bhimsen Joshi, Savani Shende, Madhuri Purandare, Kishori Amonkar.
Timing of the Show (Everyday)
7:15 pm to 8:10 pm ( Marathi Show )8:15 pm to 9:10 pm ( English Show )Tuesday - weekly off.
Ticket Rate
Per Head Rs. 25/- only.Per Head Rs. 15/- for School Children(Provided the show is organized by the school)



Saturday, December 1, 2007

the great historical place in pune

hi friends i m pravin jagtap i am live in pune i am going to know u about my pune

List of historical place in pune


[Shaniwarwada]
[Agakhan Palace]
[Lal Mahal]
[Kelkar Museum]
[Shinde's Chatri]
[VishramBag Wada]
[Ambedkar Museum]
[Tilak Museum]
[Swamy Vivekanand Museum]
[Tribal Museum]
[Phule Wada]
[National War Museum]

which is given as follows

shaniwar wada

This palace was build by Bajiroa 1st in the 18th century. It was a 13 storey building . It used to be the head quarter of the Peshwas and it symbolizes Pune 's culture. Currently renovated & there are plans to have a lights & music show. The main part is left is Nagarkhana which gives good inside view. This is an expansive palace with its impressive fountains and gardens. The palace was the seat of Peshwa power and later was destroyed by a fire in 1828. All that remains are the walls that fortified this palace, with their sturdy doors, studded with spikes for added protection. Nearby is a street where the Peshwas unleashed elephants to trample dissidents to death.
Shaniwarwada

Agakhan Palace

This is a famous landmark in Pune city. Agakhan Palace is the place where Mahatma Gandhi, Karturba Gandhi and Mahadeobhai Desai were imprisoned during the "Quit India Movement" in 1942. Marble memorials were put later on in the memory of Kasturba and Mahadeobahi, both of them breathed their last in this place.

Lal mahal

In Pune, Dadaji built a palace 'Lal Mahal', for Shivaji and his mother Jijabai. At the age of sixteen (1643 A.D.) Formerly Synagogue, Now it is newly Re- constructed by Pune Muncipal Corporation .It is a red brick structure standing very prominently in the heart of the city. There is a statue of "Jijamata " ( Shree Shivaji's Mother ) and there is garden also for small kids to spend their evenings.This place is just next to Shaniwarwada .
Lal Mahal


Kelkar Museum

One man show is the way to describe this museum. It is a collection of Mughal antiques which include paintings, instruments, lamps & different types of nut crackers. The Mastani Mahal which was made over here after dislodging it from its original place takes the cake.
Route to Kelkar Museum

he building built in the memory of Mahadji Scindia who was great Maratha noble man. It is about 4kms away from Pune camp. The carving and beauty of the temple is worth a look.

Shinde's Chatri

More Details....
Vishram Baug Wada
300 years back Bajirao Peshwas ( II ) built this place .The carved woodwork of the balcony which surrounds the entrance of this building is the example of the fine work of ancient Maratha rulers .After Peshwas this place was used as a jail .Pune Municipal Corporation is soon changing this place as museum. It is a 3 floor building in the heart of the city on Bajirao road ,next to laxmi road the huge market for clothing.